“Searches,” by Vauhini Vara, is both a memoir and a critical study of our digital selves.
In “Lower Than the Angels,” the historian Diarmaid MacCulloch traces two millenniums of libidinal frustration.
“The Proof of My Innocence” starts as a political whodunit but soon expands into a collage of literary genres.
Sayaka Murata’s novel “Vanishing World” envisions an alternate universe where artificial insemination is the global norm, and sex takes a back seat.
The Peruvian author Mario Vargas Llosa was the world’s savviest and most accomplished political novelist.
In the midst of ongoing war and protest, politicians and journalists explore the complexities of Jewish American responses to global and national conflicts.
Austin Kelley gently lampoons high-minded magazines and the fragile men who work at them in his debut novel, “The Fact Checker.”
He wrote extensively about the New York art scene in the 1960s and ’70s, then shifted to become a prominent street photographer.
Laurent Binet’s novel “Perspective(s)” begins with an artist lying dead in a Florentine chapel.
To oblige an eager reporter, he invented a story about the holiday’s origin. He didn’t realize it would turn out to be his “Andy Warhol moment.”
An order by Defense Secretary Pete Hegseth’s office resulted in a purge of books critical of racism but preserved volumes defending white power.
F. Scott Fitzgerald’s masterpiece has left an enduring mark on American culture.
A mythical lion cub stuck in the modern world must harness the power of stories to save his family and return home.
“Poet in the New World” introduces readers to the often overlooked early work of the Polish master Czeslaw Milosz.
Suggested reading from critics and editors at The New York Times.
“Sunrise on the Reaping,” by Suzanne Collins, explores the devastating story of Haymitch Abernathy, a mentor in the original “Hunger Games” novels.
In “Changing My Mind,” the novelist Julian Barnes presents an argument for the joys of flexibility.
Black American novelists, filmmakers and other writers are using comedy to reveal — and combat — our era’s disturbing political realities.
In “Abundance,” Ezra Klein and Derek Thompson prod fellow liberals to think beyond their despair over Trump’s return to power.
In the novel “Theft,” by the recent Nobel laureate Abdulrazak Gurnah, three characters navigate messy relationships in 1980s Tanzania.
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