Louise Hegarty’s novel, “Fair Play,” nods to classic 1920s detective fiction, with a twist.
“Gabriële” considers a writer and pivotal figure of the 20th-century avant-garde who nurtured the talents of others.
In “Sister, Sinner,” Claire Hoffman tells the stranger-than-fiction story of Aimee Semple McPherson, whose mysterious life made headlines in the 1920s.
A leading sociologist, he explored American society up close — living in a Levittown at one point — to gain insight into issues of race, class, the media and even the Yankees.
Parents in Maryland say they have a religious right to withdraw their children from classes on days that storybooks with gay and transgender themes are discussed.
In a new collection, Lydia Millet casts a satirical eye on left-wing culture and its array of character types.
Drawn from her previously unpublished reflections on sessions with a therapist, “Notes to John” is at once slightly sordid and utterly fascinating.
R. Crumb’s underground comics were instrumental in shaping the counterculture of the 1960s and beyond, Dan Nadel shows in an exemplary new biography.
Dan Nadel’s “Crumb: A Cartoonist’s Life” takes on the good, the bad, the ugly and the weird. Over punk rock vegetarian food, subject and writer compared notes.
The romance author Beth O’Leary recommends books that show off the trope at its best — playful, knowing, original and deliciously satisfying.
Marianne Faithfull was a star in her own right; Peggy Caserta was a hippie tastemaker. Their memoirs are riveting.
In his paean to another age, David Denby studies four icons who defined American culture in the second half of the 20th century.
Suleika Jaouad’s new book provides a master class in personal writing. Here’s why it’s a worthwhile habit — for everyone, not just English majors.
The stories in Marie-Helene Bertino’s new collection, “Exit Zero,” frolic in the nether zone between fantasy and reality.
The final novel in Hilary Mantel’s great trilogy has been adapted for TV. Her editor joins us this week to discuss working with Mantel on the books.
The subtle expression of longing in the 2005 adaptation wasn’t meant to be a key moment. Even the director is surprised it took on a life of its own.
In a new book, the Broadway photographer Jenny Anderson captures the craft and camaraderie of making theater.
Pam Muñoz Ryan’s “El Niño” combines magical realism, climate fiction and coming-of-age sports tales.
Her best-selling romances have made her a new standard-bearer of the genre.
He wrote prolifically about various aspects of the arts and popular culture. But he kept his focus on jazz, celebrating its past while worrying about its future.
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