Thursday, April 18, 2024 - 5:10pm
Suggested reading from critics and editors at The New York Times.
Thursday, April 18, 2024 - 2:23pm
By Joshua Barone
The composer Matthew Aucoin, Graham’s former student, and the director Peter Sellars have adapted her poems into the operatic “Music for New Bodies.”
Thursday, April 18, 2024 - 12:40pm
By Carole V. Bell
Myah Ariel's debut is like a fizzy, angsty mash-up of Bolu Babalola and Kennedy Ryan as the challenges of doing meaningful work in Hollywood threaten two young lovers' romantic reunion.
Thursday, April 18, 2024 - 6:59am
By Molly Young and Nicholas Calcott
Inside the book conservation lab at the Metropolitan Museum of Art.
Thursday, April 18, 2024 - 6:59am
By Molly Young and Nicholas Calcott
Inside the book conservation lab at the Metropolitan Museum of Art.
Thursday, April 18, 2024 - 6:58am
“I don’t want other people to miss out on the wisdom and joy this genre has to offer, the way I did for so long,” says the best-selling novelist. “Funny Story,” about a heartsore librarian and the new man in her life, is out next week.
Thursday, April 18, 2024 - 5:05am
By Elisabeth Egan
The author of nine suspense books also finds time to foster kittens from a Chicago-area shelter.
Thursday, April 18, 2024 - 5:04am
By Elizabeth A. Harris
The author, known for her “Persepolis” series, is releasing a new illustrated book about the “Woman, Life, Freedom” movement, inspired by the death of Mahsa Amini.
Thursday, April 18, 2024 - 5:02am
By Molly Young and Nicholas Calcott
Inside the book conservation lab at the Metropolitan Museum of Art.
Thursday, April 18, 2024 - 5:01am
By David Orr
In “The Sorrow Apartments,” Andrea Cohen’s signature maneuver is a kind of twist that shifts a poem away from the ending that seems to be coming.