It’s not easy, but here’s how Mark Krotov, the publisher of the literary magazine n+1, attempts it, often with his 6-year-old daughter along for the ride.
In more than a dozen books, he created characters who were obsessed with maps, urban walking, sexual fetishes and Volkswagen Beetles.
Merle Oberon was a popular actress who was once nominated for an Oscar. But a fact that she hid from the public threatened to unspool her entire life’s work.
“The Tokyo Suite” explores class divisions in contemporary Brazil via the twinned stories of a high-powered TV executive and the desperate caretaker of her child.
Our critic on Deanna Raybourn’s “Kills Well With Others” and three more new books.
An indefatigable gardener, she was concerned, a colleague said, with “all the things that have to happen for us to get our food.”
A memoir of Italy; notes on Canada.
The best-selling bard of female anxiety rakes over some middle school memories while visiting the city where she grew up.
In “Air-Borne,” his detailed and gripping account of aerobiology, Carl Zimmer uncovers the mysteries filling our lungs.
In “Stag Dance,” Torrey Peters probes the complicated, evolving realities of queerness and trans life.
Her “Codependent No More: How to Stop Controlling Others and Start Caring for Yourself,” a guide to shedding toxic relationships, has sold more than seven million copies.
A Caldecott Medal winner, he turned childhood memories of fleeing the Nazis in Poland into magical stories.
Every season brings its share of books to look forward to, and this spring is no different. On this episode Gilbert Cruz and Joumana Khatib talk about a dozen or so titles that sound interesting in the months ahead.
Fifteen years ago, Kathryn Stockett’s debut novel became a best seller, but was also heavily criticized for its portrayal of Black characters. Now, she has written second novel, “The Calamity Club.”
In Linda Joan Smith’s “The Peach Thief,” an orphaned girl posing as a boy raids an English Eden.
Sally Kim, president and publisher at Little, Brown and Company, wants to give everyone a seat at the table.
The novel “Goddess Complex,” by Sanjena Sathian, takes a sharp turn from an existential crisis into a more literal one.
Novelized accounts of historical figures’ lives are hugely popular. But do we really want to draw back the curtain on history and find people talking and acting the way we do?
Suggested reading from critics and editors at The New York Times.
But a full calendar meant carving out time for “Theft,” his new book and first since winning the prize.
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