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Dan Fesperman’s “Winter Work” is set amid confusion and moral compromise in East Germany as Communism fell.
Chinelo Okparanta’s second novel attempts to skewer white liberal solipsism.
Meenakshi Ahamed’s “A Matter of Trust” traces the tangled, complicated and difficult relationship between two allies that are not quite friends.
Nada Alic’s debut story collection pierces superficial appearances to access deeper human connection.
In “Roll Red Roll,” Nancy Schwartzman revisits a teenage girl’s 2012 assault by high school football players, and its aftermath.
It’s a hard world out there for the protagonist of Teddy Wayne’s novel “The Great Man Theory.”
In their memoirs, Carmen Rita Wong and Chrysta Bilton open up about how they learned of secrets, lies and unkept promises.
In “The Crane Wife,” CJ Hauser delves into issues of identity and connection with humor and grace.
Dark talks about her new novel, and Katherine Chen discusses “Joan,” her fictional imagining of Joan of Arc.
Addiction, fatherhood and transgender identity in new books by Cindy House, Will Jawando and Diana Goetsch.
Two siblings, a playful teacher’s class and three friends let their imaginations loose in the great outdoors.
Gabrielle Zevin’s novel “Tomorrow, and Tomorrow, and Tomorrow” is a love letter to the Literary Gamer.
In Tom Mead’s “Death and the Conjuror,” a man is found dead in his study, his throat cut. There is no weapon in the room, and the doors are locked — from the inside.
A graphic review of two new books that explain how the world’s insects came to be in peril.
A selection of books published this week.
Suggested reading from critics and editors at The New York Times.
In “The Shores of Bohemia,” John Taylor Williams explores 50 years in the iconoclastic summer colonies of Cape Cod.
In “Doctors and Distillers,” Camper English explores the long-running interconnection between medicine and alcohol in daily life.
In her debut memoir, Ingrid Rojas Contreras summons stories from the living and the dead to connect her own experiences to those of her Colombian ancestors.
Before he wrote “The Silent Patient,” Alex Michaelides tried and tried again to make movies.
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