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The daughter of Richard Rodgers, confidante of Stephen Sondheim and composer of “Once Upon a Mattress” holds nothing back in “Shy.”
In “Bonsai,” Alejandro Zambra tells the story of two young lovers whose lives, relationship and heartbreak intertwine with art and literature.
Older siblings react to the arrival of new babies — in a picture book, a chapter book, an early reader and a middle grade novel.
This list includes a lot of murders, real or imagined.
Here’s what it looks like for a fantasy author to exist in three different spheres at once.
Three women pay homage to their painful pasts with grace, lyricism and a sense of humor.
“As a kid-reader, I thought a library was the great thing to build in life,” says the novelist, whose new book is the nonfiction “Mothercare.” “Now, unless you have a huge house with enormous rooms, this desire leads to mayhem and depression.”
Suggested reading from critics and editors at The New York Times.
A selection of books published this week.
In Mohsin Hamid’s new novel, “The Last White Man,” the white protagonist awakes to find he has turned brown.
The essayist Michelle Tea writes about queer parenting with frankness, humanity and verve.
The biography “Inventor of the Future,” by Alec Nevala-Lee, explores the dreams and failures of an American optimist.
In Tyrell Johnson’s new thriller, “The Lost Kings,” a woman investigates both a crime and its aftereffects on her own body and psyche.
In “After the Ivory Tower Falls,” Will Bunch traces our political divisions to problems with higher education.
“The Prophet of the Andes” tells the story of Segundo Villanueva, a quixotic spiritual seeker who led hundreds of followers from Peru to Israel.
In Lawrence Osborne’s new novel, “On Java Road,” a young woman involved with powerful people goes missing amid political tensions.
Elisabeth Griffith’s “Formidable” chronicles American women’s endless battle for fair treatment.
In “Boulder,” by Eva Baltasar, a solitary protagonist falls in love, then learns that three’s a crowd.
In “The Rabbit Hutch,” Tess Gunty weaves together the daily dramas of tenants in a shabby Midwestern complex.
For better and for worse, in sickness and in health, Clare Pollard’s debut novel, “Delphi,” revisits the first year of the Covid-19 pandemic.
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