A Scott and Zelda roman à clef; a photo collection of 1920s Paris.
In Charlotte McConaghy’s novel “Wild Dark Shore,” the caretakers of a remote research base brave an escalating crisis.
When her father died, the author of “Americanah” produced a slim work of nonfiction. When her mother died, she poured her grief into a sprawling 416-page novel.
In her memoir, “Raising Hare,” Chloe Dalton describes how a leveret changed her outlook on life during the pandemic and beyond.
She gave voice to an overlooked French-speaking population in Canada, adapting an archaic language that had survived through oral tradition.
Harvey’s novel about six astronauts living and working on the International Space Station won the 2024 Booker Prize.
In this Robert Wilson production, Isabelle Huppert is everywhere onstage, all at once, reciting a nonstop script that may well touch on everything.
In novels like “The Glitter Dome” and nonfiction works like “The Onion Field,” he took a harsh, unglamorous look at the realities of law enforcement.
Our columnist reviews three new horror books out this month.
In March, the Book Review Book Club will read and discuss “We Do Not Part,” the Nobel laureate Han Kang’s novel about history, tragedy and the work of remembering.
Highly personal tributes by the writers Henry Alford and Paul Lisicky each view the singer’s life and artistry through their own prism.
Novels by Chimamanda Ngozi Adichie and Karen Russell, nonfiction by Ezra Klein, new “Hunger Games” and “Wicked” prequels and more.
Leonard S. Marcus brings the wonder of a 1968 snapshot to a new generation.
Our columnist on four standout releases.
Suggested reading from critics and editors at The New York Times.
His struggles with writer’s block led him to create a process that favored an expressive, personal approach over rigid academic conventions that often stifled students.
In her new memoir, the actress known for movies like “Say Anything” and “Gas Food Lodging” talks about Hollywood, bisexuality and the trappings of Gen X fame.
Scorching-hot westerns, seafaring adventures and steamy romances are an ideal way to stay toasty this season.
In “Meltdown,” Duncan Mavin describes the grand rise and ignominious fall of a financial behemoth.
The author of the “Gray Man” espionage series grew up on James Bond, but that Ian Fleming novel has too much golf, too little “secret agenting.”
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