In a new book, the Broadway photographer Jenny Anderson captures the craft and camaraderie of making theater.
Pam Muñoz Ryan’s “El Niño” combines magical realism, climate fiction and coming-of-age sports tales.
Her best-selling romances have made her a new standard-bearer of the genre.
He wrote prolifically about various aspects of the arts and popular culture. But he kept his focus on jazz, celebrating its past while worrying about its future.
A powerhouse of the genre, she published around 100 short stories and 17 novels, one of which was adapted into the acclaimed film “The Lady Vanishes.”
Suggested reading from critics and editors at The New York Times.
Readers can decide when “Notes to John,” which shows the writer grappling with guilt and vulnerability, is published next week.
In his personal, engaging new book, “Sorrowful Mysteries,” the novelist and journalist Stephen Harrigan explores the enduring power of the Virgin of Fatima.
In his new book, “The Illegals,” Shaun Walker studies the Russian agents who worked deep undercover as Americans for decades.
She is one of many authors who lost their homes in January. “Surely,” she says, “readers would love nothing more than to send their favorite books to their favorite writers.”
An American who had lived abroad, he sought out books by up-and-coming German writers, while ghostwriting memoirs for rock stars like Paul Stanley.
Heather McGowan’s novel “Friends of the Museum” takes place over a single, chaotic day in the lead-up to a Met-inspired costume gala.
A new book by the Pulitzer Prize-winning historian Greg Grandin offers a fresh account of the region as an incubator of internationalism and commitment to the common good.
Nettie Jones made a splash in 1984 with her shockingly erotic novel “Fish Tales,” then fell into obscurity. A new edition has put her back in the spotlight.
In Sean Hewitt’s novel, “Open, Heaven,” two isolated boys develop an intense, undefined relationship.
As the founder of Woman’s Art Journal and the author of influential textbooks, she documented the work of many accomplished artists who had been ignored.
“What’s Left,” by Malcolm Harris, arrives at a particularly difficult time to consider anything beyond our immediate turmoil.
Two new books examine efforts to standardize English orthography and the pronouns at the heart of our culture wars, finding that spelling and usage have never conformed to any rules.
In “The Imagined Life,” a writer searches his home state and his buried memories for answers about his long-lost father.
In “I Seek a Kind Person,” Julian Borger tells the riveting story of seven children who escaped wartime Austria thanks to a British newspaper.
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