Tuesday, February 4, 2020 - 12:01pm
By Jessica Lustig
In “Half Broke,” Ginger Gaffney recounts the a year and a half she spent helping a ranch managed by prison inmates.
Tuesday, February 4, 2020 - 10:00am
By Etelka Lehoczky
Passmore's timely new graphic novel is set in an unnamed city whose football team has just won the Super Bowl, setting off fiery riots. It's a biting satire of political action, race and capitalism.
(Image credit: Koyama Press)
Tuesday, February 4, 2020 - 7:00am
By Jason Heller
Sarah Gailey's new novella is set in a dystopian future where the United States resembles the Old West, and bands of women on horseback distribute government-approved media to distant villages.
(Image credit: Petra Mayer/NPR)
Tuesday, February 4, 2020 - 5:00am
By Randall Kennedy
In “Race Against Time,” the Mississippi journalist Jerry Mitchell chronicles four key cases of racist violence from the 1960s and his role in unearthing damning new evidence.
Tuesday, February 4, 2020 - 5:00am
Recent collections from Eliza Griswold, Mark Bibbins and more; plus, a peek at what our colleagues around the newsroom are reading.
Tuesday, February 4, 2020 - 5:00am
By Tommy Orange
Gabriel Bump’s “Everywhere You Don’t Belong,” about a young black man from Chicago’s South Side, balances emotional heaviness and levity, Tommy Orange writes in his review.
Tuesday, February 4, 2020 - 5:00am
By Valerie Martin
Stefan Hertmans’s novel “The Convert” reimagines an 11th-century romance.
Tuesday, February 4, 2020 - 5:00am
By Chloë Schama
In “Unfinished Business: Notes of a Chronic Re-Reader,” the revered memoirist makes an urgent argument for the value of returning to a book you’ve already read.
Tuesday, February 4, 2020 - 5:00am
By Lucy Scholes
In “Heathcliff Redux,” the novella at the heart of Lily Tuck’s new collection, an unnamed narrator becomes obsessed with her own Heathcliff.
Tuesday, February 4, 2020 - 5:00am
By Megan O’Grady
In “My Autobiography of Carson McCullers,” Jenn Shapland describes how studying the novelist, who died in 1967, helped her reckon with her own identity.