John Kay and Mervyn King’s “Radical Uncertainty,” Stanislas Dehaene’s “How We Learn” and Anthony David’s “Into the Abyss” plumb the depths of the brain.
Fernanda Melchor's poetic, foul-mouthed new novel sits on the border between crime fiction and horror: A woman known as the Witch has been murdered, and her neighbors want to know who did it and why/