Tuesday, August 24, 2021 - 7:00am
By Jessica P. Wick
Linden A. Lewis's stylish queer space opera series levels up with The Second Rebel, which picks up with our initial protagonists Hiro, Lito and the First Sister, and adds a few new voices too.
(Image credit: Skybound)
Tuesday, August 24, 2021 - 5:00am
By Pete Tosiello
“The Guide,” by Peter Heller, evokes a near future in which coronavirus variants have pushed America’s leisure class to the great outdoors.
Tuesday, August 24, 2021 - 5:00am
By Melvin I. Urofsky
Erwin Chemerinsky’s “Presumed Guilty” details the many ways the Supreme Court has favored the police over the accused.
Tuesday, August 24, 2021 - 5:00am
By Michelle Goldberg
In “Sexual Justice,” Alexandra Brodsky, a civil rights lawyer, homes in on the processes by which such cases are typically adjudicated — and how to improve them.
Tuesday, August 24, 2021 - 5:00am
By Gaiutra Bahadur
In her memoir “Seeing Ghosts,” the author recounts her mother’s death and her immigrant family’s numerous migrations, separations and losses, evoking the way grief entails a particular, perpetual sorrow.
Tuesday, August 24, 2021 - 5:00am
By Justin Torres
“After the Sun,” a collection by the Danish writer Jonas Eika, stretches past the limits of the ordinary.
Tuesday, August 24, 2021 - 5:00am
By Becca Rothfeld
In “God, Human, Animal, Machine,” the essayist and cultural critic Meghan O’Gieblyn traces how our conception of the human mind has been shaped by our tech-driven era — and what such a view leaves out.
Tuesday, August 24, 2021 - 5:00am
By Ramin Skibba
In “Flashes of Creation,” Paul Halpern offers a dual biography of George Gamow and Fred Hoyle, two midcentury physicists who debated the origins of the universe.
Tuesday, August 24, 2021 - 5:00am
By Yunte Huang
Mai Ngai’s “The Chinese Question” looks at an issue that has disturbed the Anglophone world for decades, and continues to produce divisions today.
Monday, August 23, 2021 - 1:02pm
By A.O. Scott
Though his novels and short stories — published over six decades, beginning in 1934 — are set in an older, more decorous America, he grapples with themes that feel shockingly contemporary.