Friday, November 17, 2017 - 3:16pm
James Wolcott talks about “Raising Trump” and “The Kardashians,” and Tina Brown discusses “The Vanity Fair Diaries.”
Friday, November 17, 2017 - 11:34am
In which we consult the Book Review’s past to shed light on the books of the present. This week:Elizabeth Hardwick on the art and meaning of the essay.
Friday, November 17, 2017 - 5:05am
By SAM BYERS
With masculinity in its sights, Ross Raisin’s “A Natural” dares to tackle frustration and thwarted action as its themes.
Friday, November 17, 2017 - 5:00am
By ETHAN BRONNER
Francine Klagsbrun’s “Lioness” re-examines the beloved prime minister’s legacy.
Friday, November 17, 2017 - 5:00am
By GARY J. BASS
Lawrence Freedman warns in “The Future of War” that he doesn’t expect to see an end to human conflict.
Friday, November 17, 2017 - 5:00am
By ARLIE RUSSELL HOCHSCHILD
Arlie Russell Hochschild reviews Jessica Bruder’s book about senior citizens who live out of R.V.s and work low-wage jobs.
Friday, November 17, 2017 - 5:00am
By GREGORY COWLES
In a best-selling campaign memoir, “Hacks,” the Democratic operative and former party chair reveals she never trusted the polls.
Friday, November 17, 2017 - 5:00am
By ADAM NICOLSON
Daniel Mendelsohn’s “An Odyssey” is both an analysis of a classic and a memoir of his family.
Friday, November 17, 2017 - 5:00am
By JENNA WORTHAM
In “Real American: A Memoir,” Julie Lythcott-Haims describes growing up biracial in a mostly white milieu.
Friday, November 17, 2017 - 5:00am
By AMY ROWLAND
Wiley Cash’s heroine in “The Last Ballad” is based on a real-life union organizer and folk singer now mostly lost to history.