Friday, December 1, 2017 - 5:00am
By KAMILA SHAMSIE
Kamila Shamsie reviews “Improvement,” by Joan Silber, a novel depicting a world that is small and capacious at once.
Friday, December 1, 2017 - 5:00am
By ALEX WITCHEL
In “Balancing Acts,” Nicholas Hytner remembers his time at the National Theatre in London.
Friday, December 1, 2017 - 5:00am
By LEOPOLDINE CORE
“The Green Hand,” a collection of Nicole Claveloux’s work, shows off her darkly humorous, existential and erotic style.
Friday, December 1, 2017 - 5:00am
By CHRISTINE MUHLKE
“France Is a Feast” collects 225 photographs taken by Paul Child in the years after World War II, as he and his wife explored their adopted country.
Friday, December 1, 2017 - 5:00am
By DAVID HAJDU
Dylan Jones’s “David Bowie: A Life” captures its subject’s radically plastic persona, his capacity to accommodate any identity at will.
Friday, December 1, 2017 - 5:00am
By DAVID IVES
David Ives reviews “Keeping On Keeping On,” a collection of journalism, diary entries and play prefaces.
Friday, December 1, 2017 - 5:00am
By TOBI HASLETT
“Unseen,” by Darcy Eveleigh, Dana Canedy, Damien Cave and Rachel L. Swarns, collects images from black history that were never published by The Times.
Friday, December 1, 2017 - 5:00am
By RICK BASS
In “American Wolf,” Nate Blakeslee chronicles the survival of O-Six and her home’s complex ecosystem.
Friday, December 1, 2017 - 5:00am
By STEVEN HELLER
“Chip Kidd: Book Two” revisits the graphic artist’s influence on the literary canon of late, both inside and out.
Friday, December 1, 2017 - 5:00am
In which we consult the Book Review’s past to shed light on the books of the present. This week: Thomas Mallon on “A Christmas Carol.”