Thursday, March 28, 2019 - 3:16pm
By DANIELLE TRUSSONI
There’s something for everyone here: 17th-century English witches, haunted portraits, Victorian ghost tales and a moldering Eastern European castle.
Thursday, March 28, 2019 - 12:02pm
Suggested reading from critics and editors at The New York Times.
Thursday, March 28, 2019 - 12:00pm
By ADAM WINKLER
In “Thin Blue Lie” Matt Stroud untangles the web of law enforcement agencies, for-profit corporations and politicians that have put technology at the center of policing.
Thursday, March 28, 2019 - 10:45am
By Martha Anne Toll
Writer and gallery owner Jean Frémon inhabits artist Louise Bourgeois as if she herself were writing this novel-cum-memoir, opening up our understanding of both the artist and her art.
(Image credit: New Directions)
Thursday, March 28, 2019 - 9:57am
The author, most recently, of “The Overstory” was from an early age a “fan of awe”: “I liked reading about diatoms and stars, things from four hundred million years ago or a hundred thousand years from now.”
Thursday, March 28, 2019 - 5:00am
By SALMAN RUSHDIE
In “The Old Drift,” Namwali Serpell spins a multigenerational, magical-realist tale of the East African nation from colonialism to the future.
Thursday, March 28, 2019 - 5:00am
The scholar and host of the PBS series “Reconstruction,” whose latest books are “Dark Sky Rising” and “Stony the Road,” is a productive beach reader: “I read more during two months on the Vineyard … than I do the entire rest of the year.”
Wednesday, March 27, 2019 - 12:44pm
By Annalisa Quinn
Author Claire Harman writes that one reason François Benjamin Courvoisier gave for why he murdered his boss Lord William Russell in 1840 was that he wanted to model himself on a book character.
(Image credit: Knopf)
Wednesday, March 27, 2019 - 12:30pm
By SARAH BOXER
Alfred Stieglitz, Georgia O’Keeffe, Paul Strand and Rebecca Salsbury coupled, fought and made some of the most influential photographs and paintings of the 20th century. “Foursome,” by Carolyn Burke, tells their story.
Wednesday, March 27, 2019 - 7:01am
By Martha Anne Toll
There is a universality to Édouard Louis' story — the child's longing for acceptance contrasted with the mature son's painful journey to understand why his father behaved as he did.
(Image credit: New Directions)