From lost children to sexual and gender identity, moral crises abound.
From lost children to sexual and gender identity, moral crises abound.
“I got a copy of Edna O’ Brien’s ‘The Country Girls’ growing up, which hurried my puberty to a place where I thought differently about girls and women,” says the singer and frontman for U2, whose new memoir is “Surrender.” “I still do.”
“I got a copy of Edna O’ Brien’s ‘The Country Girls’ growing up, which hurried my puberty to a place where I thought differently about girls and women,” says the singer and frontman for U2, whose new memoir is “Surrender.” “I still do.”
“I got a copy of Edna O’ Brien’s ‘The Country Girls’ growing up, which hurried my puberty to a place where I thought differently about girls and women,” says the singer and frontman for U2, whose new memoir is “Surrender.” “I still do.”
“I got a copy of Edna O’ Brien’s ‘The Country Girls’ growing up, which hurried my puberty to a place where I thought differently about girls and women,” says the singer and frontman for U2, whose new memoir is “Surrender.” “I still do.”
Nothing is more satisfying than the emotional combustion of characters who were meant to be together.
Nothing is more satisfying than the emotional combustion of characters who were meant to be together.
Images articulate the feelings of a “divided self” and a sense of being everywhere and nowhere at once.
A play based on the writer’s memoir about the death of her husband, in its first New York revival, goes small to powerful effect.
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