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25 min 47 sec ago
In school, the poet Matthew Zapruder writes, we are taught that poetry is inherently “difficult.” Focusing on one interesting word can change that.
Helena Kelly’s “Jane Austen: The Secret Radical” argues that Austen opposed 19th-century England’s assumptions about the social and political order.
Angie Thomas, whose debut novel, “The Hate U Give,” is No. 1 on the young adult list, has advice for authors writing about marginalized figures.
Siddhartha Deb and Benjamin Moser discuss the intersection of writing, academia and funding.
“The fight against addiction is one of America’s great liberation movements,” Christopher M. Finan writes in his introduction to “Drunks: An American History.”
Isobel Charman talks about “The Zoo,” and R. L. Stine discusses scary stories for children.
Six new paperbacks to check out this week.
In “Standard Deviation” by Katherine Heiny, a stuffy banker reconsiders his bubbly second wife.
Michael Wallis’s “The Best Land Under Heaven” tells the story of the mythic Donner Party.
Four books grapple with the politics and culture of gentrification.
Readers respond to the history of the iPhone, David Oshinsky’s review of “The Color of Law” and more.
“The Doorposts of Your House and on Your Gates” by Jacob Bacharach is a tragicomic Isaac-Abraham reboot.
Marilyn Stasio’s mystery column investigates honor killings and prostitution in Britain, then takes readers on crime sprees in Paris and New York.
To honor Thoreau on his 200th birthday, pay homage to all the outdoor temples his “in wildness” declaration helped protect.
There’s a way to measure the acute emotional intelligence that has never gone out of style.
Suggested reading from critics and editors at The New York Times.
What does a country owe to outsiders? One book attempts to answer this question — and others further explore the complexity of the immigration debate.
In “Behave: The Biology of Humans at Our Best and Worst,” Robert M. Sapolsky serves up his neurobiology with a big dose of hipster humor.
The biographer and consulting producer of Amazon’s “The Last Tycoon” might have been a doctor — “if only that didn’t require courses in biology, physics and organic chemistry. Oh…and med school.”
For the wealthy foreigners on a Greek island in Lawrence Osborne’s “Beautiful Animals,” a deeply compromised act of charity has dreadful consequences.
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