Edward Abbey’s 1968 memoir highlights what America lost when the president removed federal protection of Utah’s canyon country.
Three memoirs take varying approaches to capturing how a mental disorder can upend a person’s life.
Victoria Sweet’s memoir, “Slow Medicine,” suggests that a more methodical approach to medical care would benefit everyone involved.
Pierce Brown says he grapples with class hierarchies in his “Red Rising” series thanks to a fascination with 19th-century history.
Catherine Kerrison’s book tells the story of the third president’s daughters, including Harriet Hemings, who was born a slave.
Six new paperbacks to check out this week.
Readers respond to recent issues of the Sunday Book Review.
Again and again, when I meet people who don’t know the book, I find myself being a “Mrs. Bridge” evangelist, telling them that it’s a perfect novel.
Suggested reading from critics and editors at The New York Times.
The postmodern fiction writer Robert Coover (who once had ambitions to be a graphic novelist) saves his real reading and writing for after midnight.
In a posthumous collection, “The Largesse of the Sea Maiden,” Johnson continues the preoccupation that haunted his career.
A poem by the Nebula Award-winning fantasy writer Naomi Novik, in remembrance of Ursula K. Le Guin.
David Frum argues in “Trumpocracy” that the president is a menace to the Republic.
David N. Schwartz’s “The Last Man Who Knew Everything” recounts the life of the great physicist Enrico Fermi.
Three new books, reviewed by Richard Prum, take an unvarnished look at birdmania, from the fun to the pathological.
Foreign self-help advice for American strivers: French tips on geriatric sex and generic charm, plus Swedish and Japanese hints on achieving serenity.
Books that reveal the process of making glamorous productions on stage and screen.
Personal accounts add color to Bruce Kraig’s “A Rich and Fertile Land.”
A selection of books published this week; plus, a peek at what our colleagues around the newsroom are reading.
“Red Clocks,” by Leni Zumas, imagines a dystopian near-future in which women are once again stripped of reproductive freedoms.
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