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https://www.nytimes.com/section/books/review
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37 min 28 sec ago
Suggested reading from critics and editors at The New York Times.
“My grave will be called ‘Mount Cleese.’”
In “The Caiplie Caves,” Karen Solie invents a voice for St. Ethernan, who lived over a thousand years ago and retreated to solitude on the coast of Fife.
In her Graphic Content column, Hillary Chute looks at a reissue of Howard Cruse’s classic “Stuck Rubber Baby” and a new set of tarot cards for the future.
Ta-Nehisi Coates wasn’t thinking about how many books he was going to sell. He was focused on saying what he needed to say.
“Likes,” by Sarah Shun-Lien Bynum, shows an impressive control of language and a capacious sense of how much a short story can do.
In “Mill Town,” Kerri Arsenault uncovers her family’s long history in northern Maine and an epidemic of cancer that may be intimately connected to the community’s main employer.
An excerpt from “Transcendent Kingdom,” by Yaa Gyasi
An excerpt from “The Quiet Americans,” by Scott Anderson
An excerpt from “Fifty Words for Rain,” by Asha Lemmie
In her first novel in five years, the author of “My Brilliant Friend” revisits old themes.
Asha Lemmie’s sprawling, thought-provoking debut novel, “Fifty Words for Rain” will give you 50 reasons to cancel the rest of your day.
Jennifer Nansubuga Makumbi’s new novel, “A Girl Is a Body of Water,” follows its young heroine as she grows up without a mother.
From Detroit to Tuscany to an island off the coast of Germany, these books dip into other lives and heartbreaks.
A selection of recent titles of interest; plus, a peek at what our colleagues around the newsroom are reading.
Scott Anderson’s “The Quiet Americans” describes how good intentions in foreign policy could lead to dire results.
“Out of Mesopotamia,” by Salar Abdoh, is as much a meditation on time and memory as it is a book about modern warfare.
Wolf Wondratschek’s “Self-Portrait With Russian Piano” is about an aging concert performer who comes to loathe the spotlight.
In Hari Kunzru’s novel “Red Pill,” a retreat to a peaceful study center in Berlin becomes a quest against the world’s dark forces.
Wolf Wondratschek’s “Self-Portrait With Russian Piano” is about an aging concert performer who comes to loathe the spotlight.
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