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https://www.nytimes.com/section/books/review
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1 hour 17 min ago
Two new books — “Genius Makers,” by Cade Metz, and “Futureproof,” by Kevin Roose — examine how artificial intelligence will change humanity.
That’s the premise of “Central Park,” by the French suspense king Guillaume Musso — just one of the novels in this week’s Crime column.
Thomas Dyja talks about “New York, New York, New York,” and Derek DelGaudio discusses “Amoralman.”
From holy deaths in India to white publications covering brown stories, new novels juxtapose right and wrong, life and death, public and private.
Six new paperbacks to check out this week.
Readers respond to recent issues of the Sunday Book Review.
Don Brown’s “A Shot in the Arm!” — Book 3 in his Big Ideas That Changed the World series — couldn’t be more timely.
Suggested reading from critics and editors at The New York Times.
How a New York Times staple began, and what shaped how the pages read today.
In “Mine!” Michael Heller and James Salzman take a deep dive into the surprisingly fraught and hidden world of ownership law.
In her feminist historical thriller, Sarah Penner avoided sedate avenues to a different time.
In “Creatures of Passage,” Morowa Yejidé transforms Washington, D.C., into a mythical land filled with ghosts and grief.
An excerpt from “This Is the Fire: What I Say to My Friends About Racism,” by Don Lemon
In “This Is the Fire,” Lemon pairs current events with history and anecdotes from his own life to discuss race in America.
In “The Leak,” a budding journalist uncovers a Flint-like scandal in her own backyard.
In “A Zoologist’s Guide to the Galaxy,” Arik Kershenbaum uses his knowledge of the various species here on Earth to speculate about what might exist out there.
A selection of recent titles of interest; plus, a peek at what our colleagues around the newsroom are reading.
“Mona,” a novel by the Argentine writer Pola Oloixarac, is a sharp study of a writer’s vanity, insecurity and hidden trauma.
An excerpt from “Festival Days,” by Jo Ann Beard
In “The Performance,” Claire Thomas raises the curtain on the lives of three women who attend the same play on a hot summer night.
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