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In her latest Graphic Content column, Hillary Chute looks at a compilation of Black cartoonists and a history of female slave rebellions.
Sandeep Jauhar offers a tour of books about Alzheimer’s, from the search for a cure to fictionalized accounts of living with this scourge.
The author, 98, wrote one of the classic novels of Depression-era Black life, “Daddy Was a Number Runner,” and its themes still resonate today.
Suggested reading from critics and editors at The New York Times.
Gerald Marzorati’s “Seeing Serena” follows her across the globe over the course of one year.
The podcast host and debut author tells a difficult story in her best-selling memoir, “Somebody’s Daughter.” But there are glimmers of brightness.
In Cynthia Leitich Smith’s “Sisters of the Neversea,” the Darlings have been transported to Tulsa, Okla., and Lily is Wendy’s Native stepsister.
Pamela Erens, acclaimed for her adult novels, has made a natural and satisfying shift to middle grade fiction with “Matasha.”
A selection of recent titles of interest; plus, a peek at what our colleagues around the newsroom are reading.
And whom would you trust along the way? These questions are the foundation of Caitlin Wahrer’s suspense novel, “The Damage.”
In “Everything Now,” Rosecrans Baldwin wanders the “city-state” trying to make sense of its vast and varied terrain.
In “Hard Like Water,” Yan Lianke’s latest novel to be translated into English, the Cultural Revolution is the backdrop for an illicit romance.
Kai Bird’s “The Outlier” takes a close look at the Carter administration and concludes that the 39th president deserves a better reputation.
Joshua Henkin’s novel follows a professor dealing with the impacts of early-onset Alzheimer’s disease.
Suspicions and family loyalties run deep in Chris Offutt’s new crime novel, which begins with a body found in the woods.
“Republic of Detours,” by Scott Borchert, relates the history of the Federal Writers’ Project, which paid thousands of unemployed writers to write idiosyncratic guides to the country.
Donal Ryan’s new book features misfits and newcomers in a closed and judgmental community.
Set in the Deep South just after the war, “The Sweetness of Water,” by Nathan Harris, includes death and violence. But its plotlines suggest a vision of race and sexual relations rarely depicted in fiction about the period.
George Packer’s “Last Best Hope” and Jonathan Rauch’s “The Constitution of Knowledge” argue that Trump die-hards and the woke both threaten democracy.
Historical fiction was once considered a fusty backwater. Now the genre is having a renaissance, attracting first-rank novelists and racking up major prizes.
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