With “Inseparable,” a novel she wrote in 1954 and which is now being published for the first time, the celebrated French philosopher recounts, in fictional guise, her relationship with Élisabeth Lacoin (“Zaza”), a beloved schoolmate who died tragically young.
In “The Love Songs of W.E.B. Du Bois,” by Honorée Fanonne Jeffers, history is everything — an inheritance of secrets, lies, talents, betrayals, ambition, accomplishment and possibility.
In “Sexual Justice,” Alexandra Brodsky, a civil rights lawyer, homes in on the processes by which such cases are typically adjudicated — and how to improve them.
In her memoir “Seeing Ghosts,” the author recounts her mother’s death and her immigrant family’s numerous migrations, separations and losses, evoking the way grief entails a particular, perpetual sorrow.
In “God, Human, Animal, Machine,” the essayist and cultural critic Meghan O’Gieblyn traces how our conception of the human mind has been shaped by our tech-driven era — and what such a view leaves out.
In “Flashes of Creation,” Paul Halpern offers a dual biography of George Gamow and Fred Hoyle, two midcentury physicists who debated the origins of the universe.
Though his novels and short stories — published over six decades, beginning in 1934 — are set in an older, more decorous America, he grapples with themes that feel shockingly contemporary.