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In 1913, The Times declared Cather’s “novel without a hero” to be “American in the best sense of the word.”
“It is felt that there is something in the Negro experience that makes it not quite right for the novel,” Ellison told us when “Invisible Man” was published in 1952. “That’s not true.”
In 2006, our reviewer correctly predicted that this father-son tale would eclipse the popularity of McCarthy’s 1992 hit, “All the Pretty Horses.”
Diane Johnson chatted with the confident writer in 1977, asking him to explain what made him a self-proclaimed “authority” on all things literary.
In 1974, Roger Angell celebrated four new biographies of the Bambino.
A memoir and a history of Iran’s turbulent 20th-century politics, one comic strip frame at a time.
A classic Japanese novel echoes Jane Austen, with instructive contrasts.
The best-seller lists as we know them today have their roots in the Aug. 9, 1942, issue — but the Book Review has been tracking sales for much longer than that.
This classic story of a single mother’s struggle against poverty, published in 1946, would become the first novel by a Black woman to sell a million copies.
This 1961 masterwork offered new, vibrant ways to think about how city neighborhoods ought to look.
When Toklas — Gertrude Stein’s partner — published this cookbook, it was reviewed by Rex Stout, the creator of the food-loving detective Nero Wolfe.
“Really, don’t people know the first thing about the South?” Welty asked The Times in 1970, when her novel “Losing Battles” was published.
Eleven years after “The Silence of the Lambs,” Hannibal Lecter returned. Stephen King called him “the great fictional monster of our time.”
James Baldwin, reviewing this headline-making novel in 1976, called it “a study of … how each generation helps to doom, or helps to liberate, the coming one.”
In “Music Is History,” the Roots’ frontman tells a story of America that begins in 1971, the year he was born.
While he was working on his No. 1 best seller, “The Storyteller,” the iconic rocker found the common ground between music and books.
Schiff’s “Midnight in Washington” is that rare memoir by a politician that actually has something to say.
“The Book of Mother,” a novel by the French writer Violaine Huisman, depicts a charismatic, unstable woman through her daughter’s eyes.
In “Orwell’s Roses,” Rebecca Solnit argues that the English writer was driven not merely by political rage but by a love of beauty and nature.
Mark McGurl’s “Everything and Less” examines the impact the tech giant has had on literature itself.
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