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https://www.nytimes.com/section/books/review
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49 min 9 sec ago
In Judith Thurman’s essays, the aesthetic frequently does battle with the substantive.
Fred Hogge’s “Of Ice and Men” is a surprisingly loose history of frozen water.
In her new book, “Screaming on the Inside,” Jessica Grose unpacks the heavy burdens that arrive with the birth of a child.
“American Caliph,” by Shahan Mufti, recounts the complex story of a largely forgotten episode from 1977, when an armed Muslim group held dozens of people hostage.
“A Private Spy,” a collection of the British writer’s letters, offers glimpses of unguarded moments and ruffled feathers.
Pandemics, witchcraft, terrifying A.I.: speculative fiction that stood out in 2022.
The genre has had an exceptional year — one of its best of all time.
A fiendish puzzle, an all-out struggle for survival on a remote island, the mysterious disappearance of a spouse: The year’s best thrillers could not be more different.
A fiendish puzzle, an all-out struggle for survival on a remote island, the mysterious disappearance of a spouse: The year’s best thrillers could not be more different.
These sturdy time machines have two things in common: They’re built to last and they’re constructed by pros.
From a war correspondent to a Two-Spirit Ojibwe-nêhiyaw poet, these authors trace past devastations to find paths back to humanity.
The 10 chilling stories in “Cursed Bunny” use creepy fetishes and proliferating waste as metaphors for the female condition.
Lily Brooks-Dalton begins her novel “The Light Pirate” with an apocalypse; what follows is something like peace.
Bushra Rehman’s “Roses, in the Mouth of a Lion” follows a young Pakistani Muslim protagonist as she discovers her nascent intellect and sexuality.
“Solenoid,” by the Romanian writer Mircea Cartarescu, is an endlessly strange study of existence and the longing to escape it.
On a special new episode of the podcast, taped live, editors and critics from the Books desk discuss this year’s outstanding fiction and nonfiction.
A selection of recently published books.
Researchers have always used graphics and illustrations to help make sense of their work. This coffee-table book gathers seven centuries’ worth.
For her book “Listen,” the photographer Rhona Bitner toured the country visiting notable but vacant recording studios and performance venues.
The photographer Ryan Pfluger celebrates L.G.B.T.Q. couples in a collection of portraits, “Holding Space.”
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