In “Against the World,” the historian Tara Zahra examines the promise of liberal internationalism in its early days — and the resentments and suffering it continues to incite.
In his latest novel, the Pulitzer Prize-winning author Paul Harding reimagines the history of a small mixed-race community’s devastating eviction from their homes.
In Kathryn Ma’s new novel, “The Chinese Groove,” an overly optimistic Chinese man migrates to America to find connection and success. It doesn’t go as planned.
In his last book, the iconoclastic anthropologist David Graeber considers evidence that maritime outlaws created utopian political communities on the island in the Indian Ocean.
In the postmodernist novel “The World and All That It Holds,” a Sephardi pharmacist falls in love with a Bosnian soldier as war breaks out in Sarajevo and beyond.
In Jane Harper’s new book, “Exiles,” set in a small Australian town, a 39-year-old woman disappears from a wine festival — but her infant daughter is found in her stroller, unharmed.
In “The Great Escape,” Saket Soni, a labor organizer, recounts the ordeal faced by hundreds of Indian workers who were lured to this country on false promises of green cards and sorely mistreated.
“Roth’s steadfast commitment to the many privileges of male whiteness reliably repels me,” says Hemon, whose new novel is “The World and All That It Holds.” “I also dislike a lot of recent books, but I don’t wish to name them.”
His “stumpy fabric legs” and “little nubbin arms” may seem innocuous, but Pupkin — the star of Grady Hendrix’s new novel, “How to Sell a Haunted House” — is a killer.