The author Mariana Enriquez deploys — and enjoys — horror conventions. But in “Our Share of Night,” she reminds readers that the violence we live with can be far more frightening.
With “The Critic’s Daughter: A Memoir,” Priscilla Gilman, daughter of the theater critic Richard Gilman, joins the ranks of writers whose memoirs examine their famous, and flawed, fathers.
Natalie Haynes’s new novel, “Stone Blind,” continues her retellings of Greek legends, this one featuring the snake-haired Gorgon, long a symbol of female monstrosity.
In Ayòbámi Adébáyò’s “A Spell of Good Things,” the lives of a working-class boy and a wealthy young doctor converge to expose the precarity of the social order.
In Jen Beagin’s “Big Swiss,” a sex therapist’s transcriptionist fantasizes about sleeping with a married female patient, who also happens to go to her dog park.
John Guillory’s “Cultural Capital,” published amid the 1990s canon wars, became a classic. In a follow-up, “Professing Criticism,” he takes on his field’s deep funk.
Susan Wels’s “An Assassin in Utopia” links President Garfield’s killer to the atmosphere of free love and religious fervor that gripped Oneida, N.Y., in the late 1800s.