He was a historian of India and Tibet, but best known for his biography of Naipaul, which one reviewer described as “a portrait of the artist as a monster.”
Alarmed by the country’s political divisions, Jeff Sharlet embarked on an anguished quest to understand the rise of antidemocratic extremism. In “The Undertow,” he documents his findings.
In “Benjamin Banneker and Us,” Rachel Jamison Webster uncovers Black ancestors she never knew about, and with the help of far-flung relatives assembles her family’s story.
Romance — nostalgic, obsessive or consuming — is at the heart of Madelaine Lucas’s “Thirst for Salt,” Keiran Goddard’s “Hourglass” and Alison Mills Newman’s “Francisco.”
In Cecile Pin’s debut novel, “Wandering Souls,” the tale of three young Vietnamese migrants transforms into a larger meditation about how and why refugee stories are told.
In “The People’s Hospital,” Ricardo Nuila explores the ways in which a space for those stranded by the American health care system serves as an unlikely model.