Ahead of the July 4th weekend, the Seattle-based librarian shares a stack of eight recent favorites. She includes thrillers, mysteries, family sagas and an homage to the game rock, paper, scissors.
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Recently, the New York Times published an essay defending cultural appropriation as necessary engagement. But that's a simplistic, misguided way of looking at appropriation, which causes real harm.
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Fiona Barton's latest — a followup to last year's hit The Widow — picks up with journalist Kate Waters as she digs into another cold case, this one an infant skeleton found at a building site.
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Karin Tidbeck's new novel is set in the mysterious city of Amatka, an agricultural colony ruled by a totalitarian government — but this is no standard dystopia. In Amatka, language has strange power.
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A family curse, a resurrection and a vengeful witch are at the center of Elle Cosimano's Southern Gothic chiller The Suffering Tree. But the book elides its setting's history of racial violence.
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Anne Helen Petersen's new book is a thoughtful consideration of several public women — from Nicki Minaj to Hillary Clinton — who've run up against the invisible expectations our culture has of them.
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Don Winslow's new novel is packed with crooked cops and crookeder crooks, all defending their territories and trying to maintain a status quo where everyone earns, everyone eats and no wars break out.
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