“The Divorcées” whisks readers to a ranch in Reno, where unhappy wives once stayed to establish Nevada residency so they could file for divorce.
Even when the Polish novelist Witold Gombrowicz worked within mass-market forms, he veered toward playful disorder.
“The Morningside” reckons with climate change and its fallout while finding hope in the stories we preserve.
Anna Shechtman’s new memoir-history hybrid, “The Riddles of the Sphinx,” explores the gender politics behind one of the world’s most popular word games.
Two new books explore the liberal struggle against the illiberal currents that have plagued American progress.
In “The Ancient Art of Thinking for Yourself,” Robin Reames contends that Greek and Roman rhetorical techniques can help us speak — and listen — to one another today.
In “With Darkness Came Stars,” the photorealist Audrey Flack offers a vivid, gossipy chronicle of her career among some of New York City’s most famous artists.
A love affair between jurors; reclaiming a classic.
In “Jaded,” a young lawyer searches for justice after she’s sexually assaulted by a colleague.
In his book “The New York Game,” Kevin Baker tells the origin story of the sport we know today.
In “Bad Animals,” Sarah Braunstein asks who has the right to tell a story — and whether it’s possible to get pulled into one against your will.
“On Gaslighting,” by the philosophy professor Kate Abramson, explores the psychological phenomenon behind the hashtags.
Her lucid memoir, “One Way Back,” describes life before, during and after she testified that Brett Kavanaugh had sexually assaulted her in high school.
The Times’s critic Alissa Wilkinson discusses Frank Herbert’s classic science fiction novel and Denis Villeneuve’s film adaptations.
More than a dozen authors, including Lorrie Moore, Naomi Klein, Michelle Alexander, Hisham Matar and Isabella Hammad, have signed a protest letter that announced their withdrawal.
If you want to understand the power map of the publishing industry, just look at this event’s floor plan.
Gertrude Chandler Warner’s “The Boxcar Children,” celebrating its 100th year, depicts the delights of concocting scrumptious meals.
Sierra Greer’s debut novel, “Annie Bot,” explores questions of misogyny and toxic masculinity by following a pleasure robot that begins to develop her own consciousness.
In Armando Lucas Correa’s thriller “The Silence in Her Eyes,” vision impairment only enhances a young woman’s sense of neighborly discord — and danger is in the air.
He was prolific and acclaimed, producing novels, journalism, essays, criticism, screenplays and, in a memoir, an account of his path from faith to atheism and back again.
Pages