The books in this month’s column have something in common: unforgettable main characters.
In a memoir and a novel, the characters deal with grief by singing in front of strangers.
In “All the Worst Humans,” Phil Elwood recounts a career spent engineering headlines for some of the world’s villains.
In “Swimming Pretty,” Vicki Valosik connects the evolution of an unlikely sport with the century-long struggle of women to be taken seriously in the water.
In “Swimming Pretty,” Vicki Valosik connects the evolution of an unlikely sport with the century-long struggle of women to be taken seriously in the water.
In Fernanda Trías’s novel “Pink Slime,” one woman holds out in her town after an environmental disaster, trapped in a limbo of indecision while caring for destructive kin.
Bullwinkel’s debut novel sheds light on the culture of youth women’s boxing through an ensemble cast of complicated characters. It packs a punch.
New novels from J. Courtney Sullivan and Liz Moore, a memoir by a “hacktivist” member of Anonymous — and more.
Our columnist reviews June’s horror releases.
From silly rhymes to lively sound effects to stealthily-building suspense, these old standbys and new classics have something for everyone.
Suggested reading from critics and editors at The New York Times.
The watercolor was painted in 1996 by a recent art school graduate from Britain who was working at a bookstore. He was paid $650.
The author of “Funny Story” churned out five consecutive No. 1 best-sellers without leaving her comfort zone. How did she pull it off?
“It doesn’t make me esteem Wharton less. If anything, I take comfort in it, as a novelist.” Her own smash book “Tomorrow, and Tomorrow, and Tomorrow” is out in paperback.
A brisk new biography by the National Book Award-winning historian Tiya Miles aims to restore the iconic freedom fighter to human scale.
In “The Singularity Is Nearer,” the futurist Ray Kurzweil reckons with a world dominated by artificial intelligence (good) and his own mortality (bad).
Frederick Seidel’s 19th book, “So What,” is filled with politics, disease, luxury and provocation. At almost 90, he’s one of our best contemporary poets.
Rather than bemoan pop culture’s most divisive genre, Emily Nussbaum spends time with the creators, the stars and the victims of the decades-long effort to generate buzz.
He elevated many of France’s most provocative writers through his publishing house, La Fabrique, but he made his greatest mark as a politically engaged, and strolling, historian of Paris.
Two decades after his death, a collection of over 800 works that the first president of Senegal owned is moving from France to Dakar.
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