A new novel recalls a dark period of El Salvador’s history, as well as Hollywood’s Golden Age and the art salons of Paris.
Elif Shafak’s new novel, “There Are Rivers in the Sky,” follows the same drop of water from the Tigris to the Thames, from antiquity to the 19th century to today.
In “Prisoner of Lies,” Barry Werth tells the story of a young C.I.A. operative who spent two decades waiting out the postwar era in a Chinese jail cell.
Evelyn Waugh’s garrulous embalmers; Deborah Eisenberg’s urban neurotics.
In “All the Rage,” the social historian Virginia Nicholson discusses the changing standards that bedeviled and enthralled a century of women.
On the trail of Ralph Fiennes in 1990s Manhattan, the esteemed novelist pays a visit to a burlesque club.
In her debut novel, “ The Instrumentalist,” Harriet Constable paints a vivid and nuanced portrait of the groundbreaking 18th-century violinist and conductor Anna Maria della Pietà.
Priscilla Morris’s novel “Black Butterflies” makes the case for art in times of war.
The author discusses her best-selling new novel about family secrets and a missing camper.
In “Drawn Testimony,” the portraitist Jane Rosenberg takes you inside high-profile federal trials across four decades.
In “Imminent,” the former intelligence official who ran a once-secret program shares some of what he knows.
Two dreamlike picture books explore the ennui particular to the colossus.
A top editor and executive at two publishing houses, she was an advocate for women in publishing, and for equal pay in an industry that had long been male-dominated.
Suggested reading from critics and editors at The New York Times.
“My gaze meets the spine of a certain book,” explains the author of “The Memory Police.” “We exchange glances. … This book has chosen me.” Her latest novel to be translated from Japanese is “Mina’s Matchbox.”
How the author of “The Right Stuff,” “Radical Chic and Mau-Mauing the Flak Catchers” and other classics turned sociology into art.
Ailton Krenak was a child when his family was forced to leave their land in Brazil. Now, as a writer, he advocates for a path forward that looks to nature and inherited wisdom.
In “Hitler’s People,” the renowned historian Richard J. Evans takes a biographical approach to the Third Reich.
Political histories, a courtroom drama and the memoir of a daughter of the South Side illuminate the legacy of the 1968 Democratic National Convention.
Generational connections — and divides — abound in four new volumes that take vastly different approaches to storytelling.
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