Bea Wolf is a sugar-hyped, nap-deprived, battle-ready child; Mulysses is a mule.
A new book asks: To whom do the surviving remnants of the Jewish artist’s output — including murals he was forced to paint for a Nazi’s home — belong?
Two translations bring canonical works by Mário de Andrade into English, allowing a glimpse into the author’s “problematic sense of belonging.”
Zadie Smith brings her first play, an adaptation of Chaucer’s the Wife of Bath tale, to the Brooklyn Academy of Music.
No stranger to blue-collar work herself, she pushed for equality in male-dominated unions and as a writer chronicled the struggles of “sisters in the brotherhoods.”
Suggested reading from critics and editors at The New York Times.
Sally Bedell Smith’s “George VI and Elizabeth: The Marriage That Shaped the Monarchy” explores a wholly different epoch in the Windsor saga.
A book that proposed violent action in response to the climate crisis becomes a propulsive heist thriller.
When she met with possible collaborators to talk about her memoir, the Olympic runner had her sights trained on one who would listen.
“I queued up to get his autograph with nothing but a dollar bill for him to sign,” says the pop star, whose debut novel is “This Bird Has Flown.” “He glanced up, amused, gave me a mischievous half-smile and said, ‘Ah, defacing U.S. currency,’ and proceeded to sign it.”
Illumination is no one-way street.
How a language barrier can both limit and liberate.
The Stinging Fly has helped launch several of Ireland’s most promising writers. How has a publication with 1,000 subscribers carved a niche in the Irish canon?
Recent automatic updates to e-book editions of works by Roald Dahl, R.L. Stine and Agatha Christie are a reminder of who really owns your digital media.
In “The Manifestor Prophecy,” 12-year-old Nic Blake draws supernatural strength from her “Remarkable” African American forebears.
The author of “Rent Boy” and “Do Everything in the Dark” reflects on a life of writing and art.
In her roller-coaster ride of a gothic debut novel, “House of Cotton,” Monica Brashears upends expectations at every turn.
In “Spoken Word: A Cultural History,” Joshua Bennett traces the roots, rise and influence of a movement that continues to reverberate.
In “The Wounded World,” Chad Williams examines the scholar-activist’s struggle to complete a book about Black troops’ experiences during World War I.
A century ago, justice-seeking bandits derailed a train in rural China and took dozens of hostages, a story unspooled by James M. Zimmerman in “The Peking Express.”
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